AAA Vol.09 Book Design
Built around a whimsical urban topography, this issue unfolds like a loose map—five drifting paths shaped by spatial crossings, creative energy, and new ways of dwelling. Not a fixed narrative, but routes to enter, wander, and return.
Publisher｜ JUT Group
Publisher (Representative) ｜Aaron Lee
Editor-in-Chief｜Alice Leung @furelise07
Executive Editor｜Daniel Chou
Cover & Interior Illustrations｜@yupojen_
Cover & Interior Design ｜ @yyy_yagi, @3cwwwp3 (JungPei Chen, Penny Tsai)
Print｜@kyra.print.log
Photographer ｜ @darrenshaoshao
Built around a whimsical urban topography, this issue unfolds like a loose map—five drifting paths shaped by spatial crossings, creative energy, and new ways of dwelling. Not a fixed narrative, but routes to enter, wander, and return.
Publisher｜ JUT Group
Publisher (Representative) ｜Aaron Lee
Editor-in-Chief｜Alice Leung @furelise07
Executive Editor｜Daniel Chou
Cover & Interior Illustrations｜@yupojen_
Cover & Interior Design ｜ @yyy_yagi, @3cwwwp3 (JungPei Chen, Penny Tsai)
Print｜@kyra.print.log
Photographer ｜ @darrenshaoshao
Death of Chaos — 21st Century
Performance Visual & Logotype Design
Special thanks to Betty Apple for the invitation, contributing to the visual design for Social Dis Dance at Sonic Shaman, Singapore Art Week. Social Dis Dance works through body, sound, and live presence, developing performances through collective creation.
Starting from the myth of chaos, the project builds on Betty Apple’s 3D scan to co-create the characters and visual system of the performance, where the body is deconstructed, transformed, and reassembled in digital space, evolving live with sound and continuously shifting between VJ and performance.
Singapore Art Week
@singaporeartmuseum @sonicshaman.festival
Performance @betty_apple_art. @lovebettyapple @social.dis.dance
Visual Direction & Type Design @yyy_yagi
Character Design @mars_._on
3D & AI Motion @mars_._on @gginind.k
Photography @pingho.art @syupoyen
Special thanks to Betty Apple for the invitation, contributing to the visual design for Social Dis Dance at Sonic Shaman, Singapore Art Week. Social Dis Dance works through body, sound, and live presence, developing performances through collective creation.
Starting from the myth of chaos, the project builds on Betty Apple’s 3D scan to co-create the characters and visual system of the performance, where the body is deconstructed, transformed, and reassembled in digital space, evolving live with sound and continuously shifting between VJ and performance.
Singapore Art Week
@singaporeartmuseum @sonicshaman.festival
Performance @betty_apple_art. @lovebettyapple @social.dis.dance
Visual Direction & Type Design @yyy_yagi
Character Design @mars_._on
3D & AI Motion @mars_._on @gginind.k
Photography @pingho.art @syupoyen
C-LAB CREATORS KeyVisual Design
CREATORS is a year-long program.
For this open call visual identity, time is used as a core structure—integrating typography and layout into an ongoing system.
Type is fragmented, rotated, and reconfigured across the composition,reflecting parallel and evolving creative practices over time.
Client C-LAB CREATORS @clab.creators
Visual Identity Design Yagi Wang @yyy_yagi
Motion Design @mars_._on
CREATORS is a year-long program.
For this open call visual identity, time is used as a core structure—integrating typography and layout into an ongoing system.
Type is fragmented, rotated, and reconfigured across the composition,reflecting parallel and evolving creative practices over time.
Client C-LAB CREATORS @clab.creators
Visual Identity Design Yagi Wang @yyy_yagi
Motion Design @mars_._on
yyin. volume 2: MONSTER
☆ yyin.volume 2: MONSTER Order
☆ 2026 Taipei Art Book Fair Winner
These monsters are the shape we are becoming
In this issue, we reimagine the Clam Fairy beyond gender—not as a fixed object of the gaze, but as a process of metamorphosis from within, an existence that claims bodily and emotional sovereignty.
Book Size: 21.5 x 28.5 cm
Pages: 184
Printing: CMYK+Pantone Colors, Soft cover
Language: English / Traditional Chinese
Publishers: @dmp.editions
Book Photography : LAI,PEI-JUAN
@lai_pei_juan
☆ yyin.volume 2: MONSTER Order
☆ 2026 Taipei Art Book Fair Winner
These monsters are the shape we are becoming
In this issue, we reimagine the Clam Fairy beyond gender—not as a fixed object of the gaze, but as a process of metamorphosis from within, an existence that claims bodily and emotional sovereignty.
Book Size: 21.5 x 28.5 cm
Pages: 184
Printing: CMYK+Pantone Colors, Soft cover
Language: English / Traditional Chinese
Publishers: @dmp.editions
Book Photography : LAI,PEI-JUAN
@lai_pei_juan
They are all Designers New Year Gathering
Based on “light and playful interaction” as the core, this concept draws from the atmosphere of a casual social gathering. Through answering fun questions and exchanging on-site caricature portraits, participants build connections between play and conversation.
Based on “light and playful interaction” as the core, this concept draws from the atmosphere of a casual social gathering. Through answering fun questions and exchanging on-site caricature portraits, participants build connections between play and conversation.
Re: C(eiver) Key Visual Design
The key visual draws on the dual notion of youth and vessel, framing the body as an unfinished container—receptive, malleable, and continually reorganizing. Suspended between support and constraint, the figure inhabits a threshold where objecthood and agency overlap.
As external forces appear to choreograph the body, it simultaneously negotiates balance and resistance. Fragmented typography and structural elements mark this liminal moment before form is fixed, presenting “becoming a vessel” not as an outcome, but as an ongoing process.
Creator ╱ Concept Development Li Wei-Han
Performers ╱ Co-creators
Shih Pei-Chun, Chen Pei-Jung, Liao Chin-Ting
Creative Companion·Luo Szu-Wei
Sound Design·Chen Yi-Nuo
Lighting Design·Lin Bing-Hsin
Production Coordinator·Li Hsin-Yun
Graphic Design·Yagi Wang
Photography·Hsu Ting-Chen
The key visual draws on the dual notion of youth and vessel, framing the body as an unfinished container—receptive, malleable, and continually reorganizing. Suspended between support and constraint, the figure inhabits a threshold where objecthood and agency overlap.
As external forces appear to choreograph the body, it simultaneously negotiates balance and resistance. Fragmented typography and structural elements mark this liminal moment before form is fixed, presenting “becoming a vessel” not as an outcome, but as an ongoing process.
Creator ╱ Concept Development Li Wei-Han
Performers ╱ Co-creators
Shih Pei-Chun, Chen Pei-Jung, Liao Chin-Ting
Creative Companion·Luo Szu-Wei
Sound Design·Chen Yi-Nuo
Lighting Design·Lin Bing-Hsin
Production Coordinator·Li Hsin-Yun
Graphic Design·Yagi Wang
Photography·Hsu Ting-Chen
YAGI WANG
Art & Design
Visual / Book / Brand
Graphic Photography
Exhibition Planning
From TAIWAN,
graduated with a
master's degree
Communication Design
at Shih Chien University,
often utilizes visual design
and photography as
creative mediums.
Committed to establishing
his core values on the
path of design and art.
