yyin. volume 2: MONSTER
☆ yyin.volume 2: MONSTER Order
These monsters are the shape we are becoming
In this issue, we reimagine the Clam Fairy beyond gender—not as a fixed object of the gaze, but as a process of metamorphosis from within, an existence that claims bodily and emotional sovereignty.
Book Size: 21.5 x 28.5 cm
Pages: 184
Printing: CMYK+Pantone Colors, Soft cover
Language: English / Traditional Chinese
Publishers: @dmp.editions
Book Photography : LAI,PEI-JUAN
@lai_pei_juan
☆ yyin.volume 2: MONSTER Order
These monsters are the shape we are becoming
In this issue, we reimagine the Clam Fairy beyond gender—not as a fixed object of the gaze, but as a process of metamorphosis from within, an existence that claims bodily and emotional sovereignty.
Book Size: 21.5 x 28.5 cm
Pages: 184
Printing: CMYK+Pantone Colors, Soft cover
Language: English / Traditional Chinese
Publishers: @dmp.editions
Book Photography : LAI,PEI-JUAN
@lai_pei_juan
Re: C(eiver) Key Visual Design
The main visual draws from Young Vessel, centered on the idea of the body as both origin and passage. It captures the threshold state in which the young figure hovers between the raw and the reborn. Through fractures of light, shifts in posture, and a sense of enveloping space, the imagery reveals a form that is not yet fixed but already reorganizing itself—where the boundaries between human and object blur, and the outer shell intersects with what lies within. This unfinished form exists before molding and before becoming; in uncertainty, it gathers into a new possibility.
Creator / Concept Development
Li Wei-Han
The main visual draws from Young Vessel, centered on the idea of the body as both origin and passage. It captures the threshold state in which the young figure hovers between the raw and the reborn. Through fractures of light, shifts in posture, and a sense of enveloping space, the imagery reveals a form that is not yet fixed but already reorganizing itself—where the boundaries between human and object blur, and the outer shell intersects with what lies within. This unfinished form exists before molding and before becoming; in uncertainty, it gathers into a new possibility.
Creator / Concept Development
Li Wei-Han
FOLDS Sheng-Hsiung, HUNG｜Book Design
This is artist Sheng-Hsiung Hung’s first printed publication. In designing the book, I chose a dual-volume structure—a large hardcover encasing a smaller booklet—to echo the recurring imagery of “shell” and “interior” in his work. The outer book acts as a protective layer, while the inner volume becomes the enclosed core, mirroring the structure of an egg: a firm exterior holding a softer interior, held together in a state of tension and interdependence.
Within this structure, the book becomes more than a vessel; it extends the artist’s way of thinking—layering outward, generating inward.
Book Photography : LAI,PEI-JUAN
@lai_pei_juan
This is artist Sheng-Hsiung Hung’s first printed publication. In designing the book, I chose a dual-volume structure—a large hardcover encasing a smaller booklet—to echo the recurring imagery of “shell” and “interior” in his work. The outer book acts as a protective layer, while the inner volume becomes the enclosed core, mirroring the structure of an egg: a firm exterior holding a softer interior, held together in a state of tension and interdependence.
Within this structure, the book becomes more than a vessel; it extends the artist’s way of thinking—layering outward, generating inward.
Book Photography : LAI,PEI-JUAN
@lai_pei_juan
.NISOO Praslea Visual Design
This key visual centers around the act of gazing—an intentional and intimate mode of looking, as if through a microscope or from within an enclosed space. It visualizes a liminal space between interior and exterior, stillness and emergence. Organic textures, evoking fungi and entangled plant forms, stretch across the frame, creating a fluid yet directional rhythm. The title typography is placed within a symmetrical composition, forming a circular motion that reflects both cohesion and perpetual transformation.
September 13 | VENT, Tokyo
MAIN -
@praslea.music
@masayuki_tomine & @junya009
visual design: @yyy_yagi
motion design: @mars_._on
This key visual centers around the act of gazing—an intentional and intimate mode of looking, as if through a microscope or from within an enclosed space. It visualizes a liminal space between interior and exterior, stillness and emergence. Organic textures, evoking fungi and entangled plant forms, stretch across the frame, creating a fluid yet directional rhythm. The title typography is placed within a symmetrical composition, forming a circular motion that reflects both cohesion and perpetual transformation.
September 13 | VENT, Tokyo
MAIN -
@praslea.music
@masayuki_tomine & @junya009
visual design: @yyy_yagi
motion design: @mars_._on
Something that will make people stop
Chen Pin-Fang Solo Exhibition
This exhibition highlights objects often overlooked in gallery spaces—flower stands, caution tape, and guard chairs. Though mundane, they disrupt the scene and prompt pause, like unintended artworks that make us stop and reconsider.
Exhibition Dates｜May 27 – June 15, 2025
Opening Hours｜12:00–18:00 (Closed on Mondays)
Artist｜陳品汎 Chen Pin-Fang
Design｜Yagi Wang
Chen Pin-Fang Solo Exhibition
This exhibition highlights objects often overlooked in gallery spaces—flower stands, caution tape, and guard chairs. Though mundane, they disrupt the scene and prompt pause, like unintended artworks that make us stop and reconsider.
Exhibition Dates｜May 27 – June 15, 2025
Opening Hours｜12:00–18:00 (Closed on Mondays)
Artist｜陳品汎 Chen Pin-Fang
Design｜Yagi Wang
YAGI WANG
Art & Design
Visual / Book / Brand
Graphic Photography
Exhibition Planning
From TAIWAN,
graduated with a
master's degree
Communication Design
at Shih Chien University,
often utilizes visual design
and photography as
creative mediums.
Committed to establishing
his core values on the
path of design and art.
